Monthly Archives: February 2021

Publications in 2020 and 2021

As 2021 starts speeding by, we thought we’d take a quick look at what we wrote in 2020, as we sure didn’t write many blog posts.

Presciently, I wrote a short story about a plague. Meanwhile, Mark’s scenario, ‘The Crack’d and Crook’d Mansion’ reappeared, about being doomed inside a house. It was almost like we were prepping for staying home for a year.

Horror on the Orient Express reprint

Best news first. The train is coming back!

Horror on the Orient Express will soon be available again, as a hardcover reprint of the exact text from the boxed set. A completely revised full-colour version is on the distant Chaosium schedule, but not expected for 2 or 3 years, and it was too long for it to be entirely out of print. As MOB sagely observes, ‘HotOE is a fantastic campaign, and it shouldn’t have to be purchased at collector prices by people who just want to read or play it.’

Chaosium have made a few layout tweaks, and managed to squeeze six softbacks full of horror into two hardbacks and a poster map. They even have a Print on Demand version to save postage. My period Travelers Guide (by my esteemed psedonym P.E. Jensen) will be available as a standalone PDF and POD.

Apart from helping with a few typos, our work here was done. We’re delighted to see the return of the old blue train.

Sisterhood

Chaosium are relaunching their fiction program under the helm of industry veteran and just incredibly nice fellow James Lowder, and a new short story collection is on the way: Sisterhood: Dark Tales and Secret Histories, edited by Nate Pedersen. The theme of the collection is stories set in female religious communities.

After we’d finished Horror on the Orient Express, I realised I still had some loose ends to follow [campaign spoiler follows!] and so picked up some ideas we had about why there is no Brotherhood of the Skin chapter in Venice, and ran with an order of nuns guarding dread tomes in the plague-struck and decaying city in the 14th century.

My story is titled “Unburdened Flesh“. There are plenty of other dark and dreadful tales in the collection by genre luminaries, Nadia Bulkin, Livia Llewellyn, Molly Tanzer, Sun Yung Shin, and Damien Angelica Walters. It was an honour to be included among them.

The book is almost ready but the cover is now revealed, so feast your eyes.

Cover By Liv Rainey-Smith And Inkspiral Designs.
Sisterhood. Cover by Liv Rainey-Smith and Inkspiral Designs

Mansions of Madness Volume 1: Behind Closed Doors

Mansions of Madness was a classic Call of Cthulhu anthology in the 1990s. Chaosium have updated it for 7th edition and are releasing a series, starting with Mansions of Madness Volume 1: Behind Closed Doors with three classic scenarios and two new scenarios. Mark was delighted that his ‘Crack’d and Crook’d Manse’ was one of the two classic scenarios chosen to lead off, and even more thrilled that Lee Gibbons has once again done a stunning cover.

We feel entitled to the title of ‘classic’ ourselves. We all play-tested this one in our university days, and they are long, long, long ago now.

Mansions of Madness Volume 1: Behind Closed Doors. Cover by Lee Gibbons.

Haunted West

Mark’s favourite Call of Cthulhu publication of recent times is Harlem Unbound by Chris Spivey, and Chris contributed new material on Harlem for the reprint of “Dead-Man Stomp” in the new Call of Cthulhu starter set.

So, Mark has written a scenario for Chris’s brand new roleplaying game Haunted West, about the Western heroes that history has overlooked. We’re both huge Western fans, and for several years we watched a Western every Tuesday night with our good friends Ching Yee and James. (My favourite Western is Rio Bravo but I’ll probably change my mind in a minute; Mark holds firm with The Gunfighter, because Gregory Peck.) Haunted West will appear later this year.

Haunted West cover, by Kurt Komoda, for Darker Hue Studios

Other games writing

I have written three Dungeons & Dragons 5th edition scenarios set in Barovia that Mark is playtesting and editing (more on those soon), and Mark has been finishing his work on Reign of Terror 2. Plus we have been doing some other things as yet announced that we look forwards to sharing.

The Three Dungeoneers

On a lighter note, I write very silly short stories around our Campaign Coins company mascots, Dhum the dwarf, Avariss the half-elf and Hazzard the barbarian. The idea is that they are always heading into dungeons to get treasure and then losing it as soon as they come out. The meta-idea is that the stories are the result of a fantasy roleplaying game campaign where the world is serious and the GM is serious but the players are idiots.

We took our two collections The Three Dungeoneers and The Other Dungeoneers to the last actual convention we attended, Supa Nova Comic Con & Gaming in Melbourne in early March 2020. The crowd was already thining as the implications of COVID-19 were sinking in, and everything and everyone was awash with hand sanitizer, but we still had fun. We all miss the community of playing games and we hope we can all get together in conventions again soon.

The Three Dungeoneers & The Other Dungeoneers, cover art by Lynda Mills

Through 2020 I’ve been working on the third book in the series, The Anti Dungeoneers, which we will publish later in 2021. In tough times we all need a laugh, so here’s one, gratis.

Avariss was left to roam Temple Street alone, which normally she wouldn’t mind, as it contained plenty of high-toned merchant emporiums and she loved nothing more than browsing through a silk bazaar when she was in funds. Sadly, all the liquid party assets were in Dhum’s padlocked money pouch, and no silk merchant who wanted to keep their stock in store would let a penniless adventurer linger nearby. She went back to the Builder’s Hall but Dhum and Hazzard failed to appear, even though she stood in the entrance and carolled their names in a variety of High Elvish tones until the Temple Guards insisted she move on or be arrested for crimes against song.

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Staying home and playing games

So, what were we doing last year when we weren’t blogging? Apart from the obvious one, staying alive. We actually played a lot in 2020, more so than any year before including the old days. It was a great way to stay in touch with distant locked-down friends and take our mind off things. It was all over Zoom, which is nowhere near the table experience, but it was still nice to see everyone’s faces. Here’s what we played. (Next blog, we’ll talk about what we wrote.)

Fifth edition D&D games

Mark ran a lot of DnD. A lot. He ran Eberron for the nephews, played in a regular Acquisitions Inc game, and playtested the Barovian scenarios I have been writing for publication on the DMs Guild (more about those in a future post).

With our regular group he ran a scenario from the Explorer’s Guide to Wildemount (I think so that he could geek out over the Deven Rue map), and then we journeyed to the Menagerie Coast where he located The Sea King’s Malice, a seagoing scenario by Alex Kammer. This was a cracking salty sea voyage of a book and just the tonic for troubled times.

I created a new character for the campaign, Meddy the Plague Doctor. She was all moody and seeking answers in death, but the fresh ocean breeze, fighting off sahuagin and meeting that strange elf who wanted to weave his sails from the hair of heroes, saw her change her tune. She turned into Meddy the Salty Sea Dog Doctor and was last seen at 10th level heading off into the Elemental Plane of Water, in the name of Science. I believe she has discovered meaning in life.

Meddy the Salty Sea Dog Plague Doctor

RuneQuest games

We’ve finally left the dragons in their dungeons and the sahuagin in the sea and returned to our roots, playing RuneQuest. Mark is running the new starting adventures as we all squint sadly at the tiny, tiny font on the character sheet for our armour and hit points. We are old. New RuneQuest characters are a lot more kick-arse than old Runequest characters. I’m kind of worried about that. Also, an alarming number of relatives seem to die during character generation. However I am looking forward to building a big name off a lost goddess, assuming Argrath doesn’t get us all killed first.

Fun fact: in the 1990s I wrote a Gloranthan novel called The Widow’s Tale, and a short story collection called Eurhol’s Vale, published by TradeTalk in Germany. There’s even a nice article about them on El Rune Blog.

Online events

Those were our home games, but Mark’s been streaming stuff too for all the virtual conventions last year.

Just before things closed down, Mark run a Reign of Terror live game at Arcanacon in Melbourne. The scenario was Le Berger by David Harris, and bad things happened at sea in 1793. He got to use Arkenforge, fancy virtual tabletop software.

For Gen Con Online, he was invited to run the 1980s Australian convention scenario “Black as Coal” originally written by John Coleman, and which Mark wrote up and set in Poland for Zew Cthulhu, the Polish edition of Call of Cthulhu from Black Monk Games. (The scenario will appear in English sometime down the road.) His players were the crew from the Ain’t Slayed Nobody podcast, including Rina Haenze from Poland who was able to correct his pronunciation! Things started well but ended… badly.

Speaking of monsters, Mark moderated a panel for PAX Online, “Describing the Indescribable: Keeping Your Monsters Fresh”, with amazing panellists Mike Mason (Call of Cthulhu editor, of course), Amanda Hamon (veteran of Paizo, Kobold Press, and now at Wizards of the Coast) and Becca Scott (who has been running marvellous Call of Cthulhu live plays on her Good Time Society channel). It was a great discussion on making monsters surprising and horrible, every time.

Despite all that DnD this year, Mark’s real D20 love is Shadow of the Demon Lord, a darker than dark fantasy RPG by Rob Schwalb. He ran a session of Demon Lord for The Saving Throw Show with hilarious players Tom Lommel, Steven Pope and Jameson McDaniel. Sooner or later, somebody’s bound to lose a kidney.

Beowulf stream

Mark’s got the streaming bug now, so after laying in a new lighting and mic setup, he’s starting his first ever regular stream this week – he is running Beowulf, a new monster-slaying roleplaying game in Anglo-Saxon times with the interesting twist that it is for one player and one GM. Jackson will be playing the hero, who will hopefully be the stuff of an epic saga and not monster bait. Catch it on the Campaign Coins Twitch stream, and later on YouTube in digestible one-hour episodes – much as the monster will probably digest Jackson.

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New year, same blog, new title

Well, that was an extended blog break.

We hibernated through the rest of 2020, and even hatched plans to start publishing Call of Cthulhu scenarios on the Miskatonic Repository, and Dungeons & Dragons Barovian scenarios on the DMs Guild. We needed an imprint, and like many others named it after our pets: behold, Milton & Marlowe Publications. Huge thanks to Delaney Gray for our logo, you should hire her.

Penny has completed three Barovian scenarios, and I’ve playtested two of them with the Monday night crew, who enjoyed them immensely; they’re now in my editing queue, which shuffles slowly because It’s Been a Year. We’ll pop back and talk about what else we got done last year, but today, let’s meet our founders.

Milton is a black schnauzer cross, so named because William Blake on reading Paradise Lost and finding (as we all do) that the Hell parts are cracking and the Heaven parts are dull, wrote that Milton was “of the devil’s party without knowing it”.

Marlowe is a grey schnauzer cross, well maybe schnauzer, we’re not sure. He’s a rescue dog that had a tough start to life, which left him worried about certain things (thunder, rain, brooms) and furious about others (cats, dogs who are not Milton, cats). He’s a work in progress but he’s better each day, and sleeping peacefully in his nook below my desk while I write this. He is named after Christopher Marlowe, specifically the line in Doctor Faustus, “For where we are is Hell, and where Hell is there must we ever be”.

So, look out for Milton & Marlowe Publications, publishing your way later in 2021. Until then, let this post be an explanation as to why our blog is no longer called “Orient Express Writers”, even though we took that train, twice, and loved it, and we do believe we can hear a whistle coming down the tracks once more from Chaosium so have your tickets and Sanitarium admission forms ready.

Happy New Year, it’s gotta be better than the last one. Until we return, for day-to-day yawps I’m usually spouting something or other on Twitter, whereas Penny prefers to hold her tweets until she’s got something really good, such as this gruel test. Mmmmmm. Gruelly.

Milton & Marlowe Publications

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